Getting to the mastering stage is always a milestone.
The problem is, mastering takes a skill set that is totally different from songwriting, recording and mixing.
You can’t just learn to master your track overnight—it takes years of practice and learning to know what you’re doing.
If you’re having sticker shock and don’t think paying for good mastering is worth it, you might want to reconsider.
Sure, there’s all kinds of hacks out there that make it seem like you can learn to master your music for free.
But, unless you have a lot of experience these techniques are questionable at best.
Here’s why these 5 free mastering hacks will never result in a good master.
1. Not mastering at all
The most obvious solution to not wanting to pay for a good master is to just not master your track at all.
I mean, you’ve put all this work into mixing your album and it sounds great on those monitors in your studio so why bother?
The problem is mastering (among other things) takes the sound coming out of your studio monitors and helps it translate well on other speaker mediums.
Effectively, mastering gives your tracks the chance to sound the best it can in every possible situation.
Remember: most people will listen to your track with earbuds, car stereos, Bluetooth speakers and whatever else.
Yes—to the untrained listener, a mastered track won’t sound much different to your final mix.
But in many ways that’s the point, mastering shouldn’t change anything about what’s happening in your mix.
So if you choose to release your track without mastering it, there’s a good chance it won’t sound very good once it hits streaming platforms or the speakers in your car.
2. Making it loud with a limiter
It’s pretty obvious that releasing an unmastered track is a pretty bad idea.
But what about these tutorials and hacks that make it seem like you can make a good master using a limiter or some form of extreme compression?
After all, if mastering is all about making sure your track is as loud as possible without clipping, then all you have to do is throw a limiter on your master bus and slam it to max headroom.
There’s lots of free mastering tutorials out there that claim you can master a track using a limiter, but in reality, you can do a lot more damage than good very quickly.
Sometimes that’s totally alright. For example, you might want to sweeten your mix with a subtle boost in high-end EQ or you could add some light compression to make your mix a little heavier.
But limiters cross into extreme territory. They’ll remove all the headroom and dynamics from your mix and turn your track into an unpleasant listening experience with no dynamic range.
And that’s just the start. In fact, limiters can do a lot more damage than you think depending on how you recorded and mixed your track or album.
So, don’t rely on a limiter to master your track.
3. DIY mastering
Maybe you can learn how to master, or perhaps your friend claims to know a thing or two.
If you want to master your music by yourself, be prepared to spend a long time learning the ins and outs of the trade.
Mastering isn’t like mixing or recording, it’s a very technical process and you need years of practice and real expertise to get it done the right way.
There’s a reason why human mastering engineers are paid well for their work—they have a specific skill set that’s hard to learn.
So unless you or a friend have had years of experience working in studios, studying and learning from the professionals—you might want to re-think your plan.
4. Trusting presets in a plugin you downloaded
There’s a false belief out there that you can master a track using a plugin.
It’s true that mastering engineers use compression and EQ to master tracks.
But, it’s not so much the plugins they use that make their masters sound good, it’s the ways in which they use them.
Not to mention that pro engineers have access to the best plugins and hardware available, they definitely aren’t using free plugins.
Don’t download or pay for a plugin thinking that it will help you produce a better master of your track, you likely need to do a lot of research and learning before your masters sound good.
5. Relying on automated free mastering
If you didn’t know, LANDR is the pioneer of AI mastering.
Synapse, our mastering engine, is built on years of research and development. We’ve built a true AI mastering product that creates incredibly good masters that sound just as good as a human engineer.
Here’s a fact: LANDR masters have nearly a decade’s worth of development behind them, that’s why our masters have so many features and.
There’s really no automatic mastering software that compares to how detailed and refined LANDR masters sound.
Don’t take our word for it, LANDR mastering has consistently been reviewed as the best AI mastering tool out there.
So, be very careful when using another automated free mastering service.
You can’t know for sure what it will do with your track, whether it’s truly mastered or whether it’s just mastered using a simple preset.
It’s always free to demo your tracks on LANDR and compare them to how they sound using other solutions, you’ll hear the difference immediately.
Here’s a taste of what it can do.
Remember, if something is given to you for free there might be something going on behind the scenes with your data or it might be too good to be true.
There’s only two ways to get a good master
Hire a human with a lot of experience or pay for a high-quality AI mastering service like LANDR.
You put so much work into writing, recording, editing and mixing your music. Why ruin all that hard work by releasing a sub-par master?
When it comes to mastering you really do get what you pay for—so be very careful. Do you really think mastering your track for free is going to produce a good end result?
Free mastering may sound tempting, but the art you made deserves the best polish and shine.
Best of all, good AI mastering services like LANDR are both accessible and affordable. So, if you’re on a budget, your best bet is to give it a try.
Plus, you can always hear a demo of what LANDR does for free and make a judgment for yourself.